Drawing inspiration from a wide variety of subjects, my work is about cohesion and continuously second-guessing oneself through movement and color. 

After first training in Fine Arts, I pursued a graduate degree in Museum Studies, where I became influenced by the importance and complexities of an artwork’s reception. Ever since, the viewer has been a crucial component to my practice. I create art that is meant to be seen, meant to leave my individual space and enter someone else’s.

Interested in both representational and non-representational art, my painting techniques combine different formal approaches. Small gestures accumulate on the surface, in a series of pictorial decisions (or sometimes fortunate accidents), until I feel I have reached the sense of unity I hoped to articulate in the beginning. In my abstract work, I rely on composition, movement (or absence of it) and a carefully curated palette to bring a sense of unity. Themes of fragmented realities, subtle modulations, and elusiveness are my focus. In my more figurative work, I enjoy creating pieces that will draw you in either by their technical appeal or their unique color combinations.

In the end, my art aims to trigger an emotional response, elicit visual curiosity, and bring forward the simple pleasure of looking. When I pick up a brush, with some good music playing in the background and a huge coffee cup by my side, whether I’m painting a rock, a plant, or a completely abstract piece, I wish for people to engage with the end result, to feel the urge to look again and reflect on what they observe. 

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